Top/Learn/Movie Stack/手持ち撮影
どんな時に使う?

旅・vlog

ドキュメンタリー

ショートドラマ
使うと、どう変わる?
揺れの量を、感情の目盛りにする。
使わないと
三脚
機械の、誰でもない視点

使うと
手持ち
その場に立つ一人の視点

AI でどう作る?
STEP 1
揺れの強さと速さを分けて書く
ゆっくり漂わせ、強い揺れは封じる
AI への指示Handheld comparison, smooth: a perfectly still tripod close-up of her hands writing, no camera movement at all. Handheld comparison, handheld: the same close-up framing, but the camera is held in the hands with subtle organic sway like a person breathing, slow drift of a few centimeters, no violent shake.
Handheld comparison, smooth: a perfectly still tripod close-up of her hands writing, no camera movement at all. Character: the woman from the character reference sheet: same face, mole near the right cheekbone, shoulder-length straight black hair tucked behind the left ear, plain oatmeal-beige wool crew-neck sweater, dark indigo jeans, white plain sneakers. Only her hands and the cuffs of the sweater are visible. Location: a quiet public library reading room with long wooden tables and tall windows. 0.0s-2.0s: her right hand writes a line in a notebook on the table with a pencil. 2.0s-3.5s: she pauses, tapping the pencil once. 3.5s-5.0s: she writes again. Shot on a cinema camera with a 65mm lens, one tall window on the left as the only light source, real skin texture with pores, visible fabric fibers, paper grain, graphite, wood table, wool cuff. Natural, neutral color, no heavy grading. No text, no logos. Ambient sound: pencil scratching, a chair creaking far away. Handheld comparison, handheld: the same close-up framing, but the camera is held in the hands with subtle organic sway like a person breathing, slow drift of a few centimeters, no violent shake. Character: the woman from the character reference sheet: same face, mole near the right cheekbone, shoulder-length straight black hair tucked behind the left ear, plain oatmeal-beige wool crew-neck sweater, dark indigo jeans, white plain sneakers. Only her hands and the cuffs of the sweater are visible. Location: a quiet public library reading room with long wooden tables and tall windows. 0.0s-2.0s: her right hand writes a line in a notebook on the table. 2.0s-3.5s: she pauses, tapping the pencil once; the frame drifts slightly left. 3.5s-5.0s: she writes again; the frame breathes back. Shot on a cinema camera with a 65mm lens, one tall window on the left as the only light source, real skin texture with pores, visible fabric fibers, paper grain, graphite, wood table, wool cuff. Natural, neutral color, no heavy grading. No text, no logos. Ambient sound: pencil scratching, a chair creaking far away.
STEP 2
揺れの強さを 1 つ選ぶ
静か・普通・激しいを混ぜない
STEP 3
被写体に近づく
近いほど生きる。遠景は揺れだけ目立つ

近い寄り
仕上げのひと手間は?
強い揺れは AI の形崩れを誘う。揺れは弱く作り、編集で足す。
POINT 1
揺れは不規則に足す
キーフレームの間隔と量をばらつかせる
よくある失敗は?
✕ よくある失敗
揺れが強すぎて酔う
○ こうする
no violent shake と書く








