Top/Learn/Movie Stack/音ハメ
どんな時に使う?

MV・リール

旅・vlog

商品紹介・CM
使うと、どう変わる?
拍で切ると、映像が曲に乗る。
使うと
拍に合わせる
しぶきの頂点と拍で切り替わる


使わないと
拍からずらす
しぶきが崩れてから遅れて切れる


AI でどう作る?
STEP 1
頂点を 2 秒前後に置く
動作は 1 つ。前後に 1 秒以上の余り
AI への指示Cut-to-beat source 1: a low static extreme close-up at ankle height, one clear peak of action at exactly 2.0 seconds so the cut can land on a strong beat. Cut-to-beat source 2: a static full-body wide shot from 8 meters at eye level; he is already in motion when the shot begins so the cut feels like it lands on the beat.
Cut-to-beat source 1: a low static extreme close-up at ankle height, one clear peak of action at exactly 2.0 seconds so the cut can land on a strong beat. Character: the man from the character reference sheet: same face, small scar at the end of the left eyebrow, short slightly messy black hair, open plain dark-navy cotton overshirt jacket with one left chest pocket over a plain white crew-neck T-shirt, charcoal grey chinos, black plain sneakers. Location: a courtyard between old five-story concrete public housing apartment blocks. 0.0s-1.5s: his black sneaker walks into frame toward a shallow rain puddle on the concrete. 1.5s-2.0s: the foot lifts high. 2.0s-2.5s: the foot stamps down into the puddle center; a crown of water splashes up and outward. 2.5s-5.0s: droplets fall back, ripples spread and settle. Shot on a cinema camera with a 100mm macro lens, one soft overcast sky as the only light source, the water catching highlights, real skin texture with pores, visible fabric fibers, wet rough concrete, water droplets, sneaker canvas weave. Natural, neutral color, no heavy grading. No text, no logos. Ambient sound: one sharp splash at 2.0s, dripping water, distant courtyard echo. Cut-to-beat source 2: a static full-body wide shot from 8 meters at eye level; he is already in motion when the shot begins so the cut feels like it lands on the beat. Character: the man from the character reference sheet: same face, small scar at the end of the left eyebrow, short slightly messy black hair, open plain dark-navy cotton overshirt jacket with one left chest pocket over a plain white crew-neck T-shirt, charcoal grey chinos, black plain sneakers. Location: a courtyard between old five-story concrete public housing apartment blocks. 0.0s-1.5s: he takes the step after the puddle, water still dripping from the sneaker, walking toward the camera. 1.5s-3.5s: he keeps walking with relaxed shoulders, hands in jacket pockets. 3.5s-5.0s: he passes out of frame to the right. Shot on a cinema camera with a 40mm lens, one soft overcast sky as the only light source, real skin texture with pores, visible fabric fibers, wet concrete reflecting the blocks, cotton jacket texture. Natural, neutral color, no heavy grading. No text, no logos. Ambient sound: footsteps on wet concrete, courtyard room echo.
STEP 2
距離と高さを変えて作る
寄り・中・引きを別々の指示で出す

足元の寄り 
目線の引き
仕上げのひと手間は?
拍に合わせるのは編集でやる。曲を先に置き、拍に印を打ってから並べる。
POINT 1
拍に印を打って並べる
再生しながら M キーでマーカー
CUT映像
拍POINT 2
拍数を変えて並べる
1・2・4 拍と長さを変え、1〜2 割は外す
よくある失敗は?
✕ よくある失敗
全部を等間隔で合わせる
○ こうする
拍数を変え、一部を外す








